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备注：已完结
类型：恐怖片
主演：鲍比·坎波 珊特尔·范圣滕 尼克·扎诺 海雷·韦伯 麦凯尔泰·威廉逊
导演：大卫·R·艾里斯
语言：英语
年代：未知
简介：尼克（鲍比•坎波 Bobby Campo 饰）携女友洛丽（珊特尔•范圣藤 Shantel VanSanten 饰）和朋友亨特（尼克•扎诺 Nick Zano 饰）及女友简妮（海莉•魏波）到赛车场观看赛车表演，尼克突然预见某辆赛车将发生事故冲向人群，部分看台坍塌，他与朋友全部丧生。惊慌失措的尼克强迫朋友随他离开赛场，并惊动了保安乔治（麦凯尔泰•威廉逊 Mykelti Williamson）及其他四位观众。逃过死神的尼克发现幸存者们纷纷在稀奇古怪的事故中丧命，而自己竟能预见死亡原因。恐惧中尼克和洛丽求助于乔治，试图打破怪圈对抗死神，然而努力真会见效，宿命真能改变吗？
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备注：已完结
类型：恐怖片
主演：JamesAllen NatanBarreto 蒂姆·本廷克 Robe
导演：AdrianTanner
语言：英语
年代：未知
简介：A city PR girl goes on the run accused of leaking information from the military supply company where she works. Chased by ex-soldiers she hides with her brother, a member of a shadowy hacker group, and has to choose between her luxury life - and the Redistributors.
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备注：已完结
类型：剧情片
主演：乔纳森·梅杰斯 格伦·鲍威尔 赛琳达·斯万 托马斯·萨多斯基 约瑟夫·
导演：J·D·迪拉德
语言：英语 / 韩语
年代：未知
简介：Black Label Media将把2015年亚当·马库斯的著作《忠诚：英雄主义、友谊、牺牲的史诗故事》(Devotion: An Epic Story of Heroism, Friendship, and Sacrifice)搬上大银幕。小说围绕两名朝鲜战争的飞行员展开，其中一名来自富裕的英格兰家庭，另一个是来自密西西比黑人家庭。两人成为美国历史上顶尖的飞行员。格伦·鲍威尔([隐藏人物])将参演影片。本片由杰克·克兰、乔纳森·斯图尔特打造剧本。
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备注：已完结
类型：动作片
主演：刘亦菲 甄子丹 巩俐 李连杰 李截 安柚鑫 马泰 赵家玲 郑佩佩 温明
导演：妮琪·卡罗
语言：英语 / 汉语普通话
年代：未知
简介：迪士尼影业荣誉出品《花木兰》由备受赞誉的电影导演妮基·卡罗执导，将中国传奇战士的史诗故事全新呈现。影片讲述了一位无所畏惧的年轻女子义无反顾为家国而战，成为中国史上最著名的伟大勇士之一。当皇帝下令境内每个家庭必须有一位男丁应召出征，抵御北方来犯者入侵，出身军戎之家的长女花木兰，挺身而出，替病痛缠身的父亲应征入伍。她女扮男装化名“花军”，一路历经磨练，驾驭自己内心的力量，激发真正的潜能。通过这段传奇历程，她将成为一名光荣的勇士，不仅赢得国家的认可，更博得父亲的骄傲。
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备注：已完结
类型：动作片
主演：刘亦菲 甄子丹 巩俐 李连杰 李截 安柚鑫 马泰 赵家玲 郑佩佩 温明
导演：妮琪·卡罗
语言：英语 / 汉语普通话
年代：未知
简介：迪士尼影业荣誉出品《花木兰》由备受赞誉的电影导演妮基·卡罗执导，将中国传奇战士的史诗故事全新呈现。影片讲述了一位无所畏惧的年轻女子义无反顾为家国而战，成为中国史上最著名的伟大勇士之一。当皇帝下令境内每个家庭必须有一位男丁应召出征，抵御北方来犯者入侵，出身军戎之家的长女花木兰，挺身而出，替病痛缠身的父亲应征入伍。她女扮男装化名“花军”，一路历经磨练，驾驭自己内心的力量，激发真正的潜能。通过这段传奇历程，她将成为一名光荣的勇士，不仅赢得国家的认可，更博得父亲的骄傲。
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备注：已完结
类型：剧情片
主演：BobDylan JoanBaez JudyCollins
导演：MurrayLerner
语言：英语
年代：未知
简介："Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
